Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Lovers of art and poetry will converge at two creative events in April in celebration of Poetry Month. These ekphrastic events – ekphrastic meaning a conversation between two pieces of art – will take place at the Art Gallery of Greater Victoria and t
A review of Everybody Left's Season One (2009 - 13) compilation album.
Six Degrees of Separation: A New Generation of Canadian Artists
Curated by Noah Becker
Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
October 14 through November 13, 2010
Over the course of the last decade, the glob...
My great grandmother was a school teacher. She raised five children in small town Alberta. When she reached the point of near exhaustion, she would grab a book and a blanket. Then she’d tell her husband she needed a break and she’d disa...
Critical comments by various curators and interviewers of artist Brandy Saturley
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
In his basement bachelor suite, Lyle Schultz makes visually striking, confident and entirely personal paintings. He has the determination to make a living at it, operating outside the system. Upcoming for Schultz are shows at Lady Marmalade café, Metchos