Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
A review of Everybody Left's Season One (2009 - 13) compilation album.
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...