The Japandroids are a two piece guitar wailing, drum pounding, singing machine, (do droids get angry when you call them machines?) and ‘Lullaby Death Jams’ is their recipe for a good time. It’s made up of five interestingly good track...
Fri Jun 20th, 2008
I played an acoustic show with Rich last summer at Hoko’s on an invitation from Ryan of Collapsing Opposites. Rich was touring on his bicycle from his hometown of Halifax to raise money for the Childhood Cancer Founda...
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
Crash Test Dummies and Piner set to rock the City's annual, free, outdoor concert in Springer Market Square.
Live recording of Kingston band’s 1993 show at CBGB's available for the first time on vinyl and cassette format on record store day, April 20
There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
Danton Jay and Heather Lynn's album, Decades After Paris, was the poster project highlighted to invite other artists to send their music to the United Nations.
The venue shift for the Subhumans May 15th gig - from the Anza to the Ukrainian Hall (805 E. Pender) - returns the band to the scene of the famed 1979 Rock Against Prisons benefit, which also included Tunnel Canary, AKA, the female-fronted ...
Agent Orange, China Creeps, Life Against Death, Plus Perfect
The Cobalt, Sun Feb 22nd
It’s not very hard to be the hot ticket on a Sunday night, and when Agent Orange was in town what would you rather be doing? Watching some ‘Simp...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio