Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre
Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Nervous Fellas with Deadcats and Swank
June 20th, The Rickshaw Theatre
By Allan MacInnis
I remember witnessing a leather-jacketed rocker viciously take to pummelling a much smaller, dreadlocked kid at a Reverend Horton Heat show a few...
Sadly, this is One Drop’s final album. There’s worse news, too. One Drop has kicked the can for the last time. Yeah, the band has disbanded after a six year experience. Hopefully they’ll get back together sooner or later, as this five...
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
The ‘Kill the Elite’ tour has been mercilessly trampling its way across North America, and with tonight’s show including Vancouver’s newest international extreme metal export Archspire and being headlined by Canadian legends Katakly...
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...