Gage Gallery Artists Collective
is MOVING to
19 Bastion Square, Victoria, BC. V8W 1H9
Gallery re-opens on June 29, 2021.
Laura Feeleus and Elizabeth Carefoot present Vivid Connections, June 29 - July 18, 2021.
See interviews with ...
Xchanges Gallery Is delighted to host PHOTOTEXTRINUM by Randall McGinnis in its physical space September 4-20, 2020
Randall McGinnis at Xchanges Gallery.
COVID measures are in place. The artist can welcome four visitors to the gallery...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
The Birthday Party Paintings by Christine Clark reviewed by Debora Alanna
‘The Birthday Party Paintings' ~ 3-19 October 2014
Xchanges Gallery
Martina Edmondson presents
“Loss” at the Gage Gallery
Ira Hoffecker presents Transitions at Fortune Gallery
The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,