B.C. Healthcare Heroes: Their Stories and Portraits
One Week Only at the Gage Gallery (Feb. 15-20)
Twenty portraits and twenty stories. The exhibition “B.C.’s Healthcare Heroes” showcases healthcare workers’ stories and portraits in British
IGNITE X
Toast Of The Town at The Wise Hall
May 20th 2009
Tonight The Wise Hall looks like something out of an Elvis Presley movie: the young crowd in fancy dress appropriate to 50’s dancehall goers, as the best youth talent Vancouve...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Dear Kim
I personally wanted to thank you and the troupe for such a fine fine evening on Saturday. Grace and I have had nothing but rave reviews about everything including how much everyone really enjoyed the dancing. The snake routine in the library was
http://www.artopenings.ca/karen-kaiser.html
Artist in Attendance:
April 20, 22, 30 and May 4 from 11:00 - 2:00
April 25 and May 9 from 12:00 - 4:00
Wonderful whimsy abounds in Karen Kaiser’s NEW WORKS. Using loose flowing brushwo...
Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.