She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
Organizers of Cowichan Station’s 125th birthday bash are asking folks in the community for 125 “little labours of love.”
And whether that’s in the form of inviting neighbours for tea or a potluck, tidying a local landmark, organi...
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
White Lung/Crystal Antlers/Fucked Up @ Richard’s on Richards September 7th 2008
The sparse crowd was bewitched by the androgynous shrieking of White Lung’s Mish. As our ears would testify, there may have been no sound check and we we...
Sauce Restaurant and Lounge, a once-popular downtown Victoria eatery at the corner of Yates and Wharf streets that has struggled as of late, closed its doors for good Wednesday morning.
Sauce management let the news out via social media ...
Local singer-songwriter wins fourth JUNO Award placing him in the top 100 winners.
Local historian Glenn Parfitt was determined to create a website chronicling the early days of rock ’n’ roll in Victoria — despite the challenges involved in tracking down material.
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio