April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Language evolves according to circumstance. Using terms like Indian, aboriginal, native, indigenous or First Nations is full of potential pitfalls. Writers must be careful to use the currently acceptable vocabulary. It’s important to be b...
Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
Red and Madame Dishrags are bios of Vancouver’s Red Robinson, the most famous radio disc jockey in B.C. history, and the Dishrags, a key but little-known female punk group from Victoria.
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...