The Japandroids are a two piece guitar wailing, drum pounding, singing machine, (do droids get angry when you call them machines?) and ‘Lullaby Death Jams’ is their recipe for a good time. It’s made up of five interestingly good track...
Crop Circle may have taken their name from the controversial 70’s phenomenon, but they have also managed to contribute to a more recent enigma: the earworm. Traditionally, this little beastie takes the form of a trite pop song (think Ms. ...
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
THE BLACK HALOS
We Are Not Alone
Acetate
God bless Billy Hopeless & the Halos. They’ve earned their entry into that category that bands like Motörhead, AC/DC, & The Ramones (the Holy Trinity of Rock) fit into – you always know wh...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Corbin Murdoch and the Nautical Miles
Wartime Love Song
Steeped in sweet melancholy and lyrical charm, Wartime Love Song, the second album by Corbin Murdoch and the Nautical Miles, enchants its listeners with an extended-concept love so...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.