Articles
The articles system connects profiles in our system to articles written about them, and vice versa. It provides a cultural record of what people are saying about artists, organizations and places in our community, and helps give credit to the articles' creators
Articles - Podcasts
Relevance:
All |
Show Preview (5) |
Performing soon (8) |
Local Author / Publisher (98) |
Local Business / Place (106) |
Local Artists (173) |
Past Performers (290)
Category:
Any |
Interview (146) |
Biography / History (101) |
Show Preview (82) |
Show Review (73) |
News (65) |
Album Review (58) |
Review (40) |
Podcast (8) |
How-to Article (6)
Articles - Podcasts
Jon and Roy at Sugar Nightclub
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Cannibal Corpse/The Faceless/Neuraxis/Obscura
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Vancougar - “Canadian Tuxedo” CD/LP release party
w/ The Tranzmitors / Master Apes / Los Tycoons
The Biltmore Cabaret
July 11th, 2008
Mmmm! The Biltmore, with its refurbished red booths, red lights, cavernous mystery – once the most depressing waste of space in Mt. Pleasant, it is...
Beck
Perhaps more so than any other artist of his generation, Beck is a master of mutation, reinventing himself with each tour and album. Recent Beck tours have featured lavish, gimmicky stage shows, including life-size marionettes and kitchen t...
Covering the Covers
The Manglers and The Engimas at the Bourbon, January 8th
The Sick Sick Sicks, Gnash Rambler, Little Guitar Army at The Railway, January 10th
By Allan MacInnis
Nothing like a good cover tune to make a great live show even better. Case i...
Around Town Finding the Fun Side of Sin City
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Live Review: Sleep and Black Wizard
Sleep and Black Wizard, Commodore Ballroom, Vancouver February 7th 2015
While there has been much to enjoy with the spate of band reunions in recent years, (how many fans have had the renewed opportunity to witness performances by Carcas...
TV on the Radio
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Two shows, one night.
Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
Bel Riose
Rah Rah, Library Voices, Bel Riose & Bash Brothers
The Railway Club
Wednesday, February 18 2009
I’m glad I took the night off work this last Wednesday for a little Bel Riose eardrum shakeup at the Railway. In the process I discov...
Propagandhi with the Rebel Spell and Cambridge
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
Interview with Marcus Geard and Glen Pine of THE SLACKERS
This interview also appears in issue #51 of Absolute Underground.
New York’s The Slackers have been combining ska, dub, reggae, and rock n’ roll for over 20 years. The Hellcat Re
Little Guitar Army show review
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...
Trish Shwart's Factory and Fetishes
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
