I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
The Manglers and The Engimas at the Bourbon, January 8th
The Sick Sick Sicks, Gnash Rambler, Little Guitar Army at The Railway, January 10th
By Allan MacInnis
Nothing like a good cover tune to make a great live show even better. Case i...
Fri Jun 20th, 2008
I played an acoustic show with Rich last summer at Hoko’s on an invitation from Ryan of Collapsing Opposites. Rich was touring on his bicycle from his hometown of Halifax to raise money for the Childhood Cancer Founda...
Well, it’s that time of year again: Faceplant Studios will be holding their 14th annual showcase June 6th at the Railway Club. With a thirty band line-up assembled from the community of a rehearsal/recording studio the show is eclectic ...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...