Ira Hoffecker presents Transitions at Fortune Gallery
Gord Downie wasn’t interested in ever becoming a hologram musician.
"Whether they're designing visual identities, wooden coasters or stage sets, Studio Robazzo's eco-design approach is about changing our perceptions of what's possible."
The origins and story of the band 'Shama'
Wreaking havoc on the Vancouver scene for more than a decade, The Darkest of the Hillside Thickets never fail to come up with strange and exhilarating new ways to reach out and clutch their victims. Staying true to their uniquely horrid app...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Deb Rhymer has worn numerous hats over the years, from Bette Midler impersonator to daycare operator. But the one that fits her best is blues booster.
Rhymer, a Victoria native, spends almost all her waking hours dedicated to blues, eith...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Our three-part look back on a year's worth of new music by Kingston-based artists concludes as Pete and Riley share their love for 2020 releases from Deux Trois and The Wilderness.
Hosts:
Riley Jabour
Pete Sanfilippo
...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist