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The articles system connects profiles in our system to articles written about them, and vice versa. It provides a cultural record of what people are saying about artists, organizations and places in our community, and helps give credit to the articles' creators
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Articles - Podcasts
"For Darcy" Fundraiser Concert hopes to raise money for local family & research towards multiple sclerosis
Lowest of the Low headline this fundraising concert, September 3 at The Creekside just north of Kingston.
Cannibal Corpse/The Faceless/Neuraxis/Obscura
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Trish Shwart at arc.hive September 14-29, 2024
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
Fleshgod Apocalypse, Krisiun and Kataklysm, 13th January 2014 The Underworld
With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr
Singer never forgot Victoria upbringing
Bobby Faulds would probably have loved his comeback gig at CFB Esquimalt this Saturday. Although he’ll only be there in spirit — the Edinburgh-born entertainer died Oct.
APEX BREAKS "Ultimately, what really matters is not the size of the crowd but how engaged they are."
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
Trish Shwart's Factory and Fetishes
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
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