Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
Black Wizard
s/t
Vancouver's music scene seems to be traditionally known for two things: drugs and hard rock. Despite the critical pitfalls of these influences, the city has a habit of inexplicably turning out the most palatable and au...
Metal Blade Records
Bison is the most hyped band in Vancouver right now. Sometimes hype can be a tough thing to deal with, but these fuckers keep coming through every time. Every show is better than the next, so every album is obviously ...
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
Let me preface this review by saying I’ve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. I’ve watched her career with great interest and she has ...
When The Wilderness took the stage at Skeleton Park Arts Festival in the summer of 2019, they were met with uproarious applause. People got up from their lawn chairs and their picnic blankets to dance and sing along in the late afternoon su...
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...