August 14, 2008
Honey Lounge
I was shocked at how many people filled Honey Lounge to see the B-lines and the Defektors off on their tour of the West Coast, especially since the club is usually reserved for dancing college kids. The nig...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
Scatterheart w/ Bike and Los Furios @ The Commodore Saturday March 27 2010
Love: A deep, tender, ineffable feeling of affection and solicitude toward another, such as that arising from kinship, recognition of attractive qualities, or a s...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Cattle Decapitation/Fetal Butchery/Sinned @ Metro Hall April 3rd
Though I missed opener Sinned, Fetal Butchery from Surrey, not to be confused with the U.S band of the same name, put on an energetic and honest show. They are a band just...
White Lung/Crystal Antlers/Fucked Up @ Richard’s on Richards September 7th 2008
The sparse crowd was bewitched by the androgynous shrieking of White Lung’s Mish. As our ears would testify, there may have been no sound check and we we...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
White Lung/Abe Vigoda/Vivian Girls
Biltmore Cabaret
April 29th 2009
One unassuming day last summer, I went to the Astoria to see a girl band that was on a label I really love – In The Red. They were called the Vivian Girls, and they ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio