Deb Rhymer has worn numerous hats over the years, from Bette Midler impersonator to daycare operator. But the one that fits her best is blues booster.
Rhymer, a Victoria native, spends almost all her waking hours dedicated to blues, eith...
Passion of R&B
highlights next Willows
free concert
Brandy Moore and the Nightcaps perform
Aug. 9 from 6:30 to 8 p.m. in Willows Beach
Park
CHRISTINE VAN REEUWYK / Aug. 2, 2018 10:30
a.m. / ENTERTAINMENT / LOCAL ENTERTAINMENT
Brandy...
BIOGRAPHICAL INFO
A pro boxer will tell you that success in the ring hinges on the
belief in your own abilities. Belief which endures a pounding heart or
a weakened knee. Belief in oneself even after being knocked down to
the canvas o...
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Fans of guitar tone have a lot to learn about Bill Johnson. His fourth album, Cold Outside should be the one that has this Vancouver Island native flying high above the radar, finally. Ripe with an abundance of select tracks, Johnson proves...
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,