Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Preview:
https://www.focusonvictoria.ca/palette/173/
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
Hush Hush Noise - Band Of The Month
Interview with HHH was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
HHH: We all met through playing in other projects together. For example, our drummer, Pher, and Ch...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.