THE BLACK HALOS
We Are Not Alone
Acetate
God bless Billy Hopeless & the Halos. They’ve earned their entry into that category that bands like Motörhead, AC/DC, & The Ramones (the Holy Trinity of Rock) fit into – you always know wh...
Over 19 guitars and plenty of other musical equipment has been stolen from a number of Vancouver punk bands.
“They used a crowbar and pushed through to force the door open,” said Billy Bones of Vicious Cycles, one of the bands who practiced in Gour
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Rah Rah, Library Voices, Bel Riose & Bash Brothers
The Railway Club
Wednesday, February 18 2009
I’m glad I took the night off work this last Wednesday for a little Bel Riose eardrum shakeup at the Railway. In the process I discov...
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
Kingston artist up for 2021 JUNO Award for Alternative Adult Album of the Year
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio