“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
Chris Koster pitches in on production of. "Strangers I Used To Love," out January 31
Ira Hoffecker presents Transitions at Fortune Gallery
Perhaps more so than any other artist of his generation, Beck is a master of mutation, reinventing himself with each tour and album. Recent Beck tours have featured lavish, gimmicky stage shows, including life-size marionettes and kitchen t...
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.
Kingston Live podcast episode 65
Critical comments by various curators and interviewers of artist Brandy Saturley
Wreaking havoc on the Vancouver scene for more than a decade, The Darkest of the Hillside Thickets never fail to come up with strange and exhilarating new ways to reach out and clutch their victims. Staying true to their uniquely horrid app...