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Interesting Hissanol - 4th and Back review from EBay...
| Message Board > Album Reviews > Interesting Hissanol - 4th and Back review from EBay... |
| _Griphin_ User Info... |  Biography by Jason Ankeny Hissanol was the side project of former Nomeansno guitarist Andy Kerr and Shovelhed frontman Scott Henderson. Recording via mail — Kerr lived in the Netherlands, with Henderson in British Columbia — the duo sent tapes back and forth, slowly crafting songs on a track-by-track basis; their debut LP 4th and Back was followed in 1998 by The Making of Him >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> Review by Ned Raggett Recording via long distance might not always be the easiest way to work, but Hissanol come up with enjoyable results with the duo's debut effort, 4th & Back The abbreviated spaz-punk-pop of NoMeansno gets a perfectly understandable parallel here, especially considering that the album consists of nearly 20 songs in just over 40 minutes. Scott Henderson's sometimes declamatory, sometimes flat but strong voice makes for a nice twist on the scream-and-shout approach, to be sure, not so much finding the melody (when there is one) but sliding around it. Clipped funk is as much a reference here as anything, maybe more from Gang of Four sources rather than James Brown, say, but Andy Kerr makes it work when he wants to. "Exterminal" is one of the best, Henderson's aggrieved semi-whine combining Mark E. Smith and John Lydon at their aggressive, wired best over a driving, relentless chug and grind which itself owes more than a little to the Fall. Where Hissanol shows some real smarts is in its occasional moments of calm. Consider the chorus break on "Swell Song," with overdubbed vocals creating a soothing bed amid the harder-hitting punch of the song, or "Say It Isn't So," which somehow sounds like early OMD in slow mode with a bit of country steel guitar and gets away with it. "Beauty" itself is just that, random samples from interviews and documentaries or what have you over an almost too sickly sweet layering of single tone feedback and keyboards, plus some static spiking the mix. A fair amount of tracks are engaging instrumentals, like the stop-start "Shortcut," with notable parts for vocal grunts and car alarm, and "Once Machines Ruled the World," a goony little number that would sound just fine soundtracking a modern Warner Bros. cartoon. - Wed, 13 Dec 2006 9:24pm Edited: Wed, 13 Dec 2006 9:33pm | ||
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