April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Music Waste 2008
Jesus fucking CHRIST!!! This city is a veritable loot-bag of musical talent, and it becomes more apparent to me every time I get my ass out to see some live music that there's much more going on under my nose than I thou...
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...