The Sons up for Group of the Year at the 2021 JUNO Awards
Victoria singer-songwriter Vic Horvath hailed from Calgary but settled in BC’s oceanside capital (a move they discuss in the song “Shiney Shotgun”). After a couple of years of performing, touring and popping out the odd single, they finally released
In his basement bachelor suite, Lyle Schultz makes visually striking, confident and entirely personal paintings. He has the determination to make a living at it, operating outside the system. Upcoming for Schultz are shows at Lady Marmalade café, Metchos
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Find someone who thinks tapes aren’t cool and I’ll shove my Sony Walkman up his bum. Tapes are still rad and this Anion tape is no different. It’s red in colour and resembling the Teenage Mutant Ninja Turtles soundtrack cassette tape ...
Sleep and Black Wizard, Commodore Ballroom, Vancouver February 7th 2015
While there has been much to enjoy with the spate of band reunions in recent years, (how many fans have had the renewed opportunity to witness performances by Carcas...
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
Hush Hush Noise - Band Of The Month
Passion of R&B
highlights next Willows
free concert
Brandy Moore and the Nightcaps perform
Aug. 9 from 6:30 to 8 p.m. in Willows Beach
Park
CHRISTINE VAN REEUWYK / Aug. 2, 2018 10:30
a.m. / ENTERTAINMENT / LOCAL ENTERTAINMENT
Brandy...
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr