Award-winning Canadian blues king performs the Blues at The Cove series, January 17 and 18.
A preview of our studio tour
Metal Blade Records
Bison is the most hyped band in Vancouver right now. Sometimes hype can be a tough thing to deal with, but these fuckers keep coming through every time. Every show is better than the next, so every album is obviously ...
November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...
A deluxe, hand-crafted book-and-record box set edition will be available through Genesis Publications, limited to 1,000 copies
Thursday, November 13 at Honey Lounge
The crystal chandeliers and velvet couches of Honey Lounge are the perfect backdrop for an eclectic band like Vonnegut Dollhouse. Formed two years ago by keyboardist James Ford and vocalist/guitar...
Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
I was recently interviewed for the "Do Tell" section of YAM Magazine (Sept/October, Style Issue). For editing purposes, the full interview was cut short, the link provided is the full interview.
Live Review from Toxic Holocaust, Mammoth Grinder, Ramming Speed and Ogroem at the Biltmore Cabaret - 23/01/14
December 19th was officially Pointed Sticks Day in East Vancouver.
The release party for the band’s return album on Northern Electric, Three Lefts Make A Right was a buzz event, rockin’ the house with 2 Shows at the fabulous Rio Thea...
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr