There were moments of giddy transcendence a few weeks back when this very magazine held its official Launch Party featuring a host of Vancouver talent, among them a long-standing (but largely overlooked punk band) named Aging Youth Gang, wh...
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Dr Joey Only is in the house
Vancouver’s genuine adventurous punk rock country boy and underdog, our Stompin’ Tom and Hank Williams rolled into one, had to be interviewed. It wasn’t death threats to us really but a message he left on...
Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
Wreaking havoc on the Vancouver scene for more than a decade, The Darkest of the Hillside Thickets never fail to come up with strange and exhilarating new ways to reach out and clutch their victims. Staying true to their uniquely horrid app...
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Linda McRae has a special place in our hearts here at Roots Music Canada, and not just because she’s such a great person. Notwithstanding her busy schedule of touring, recording and teaching songwriting workshops, she also was one of the very first peop
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr