Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
“What Emerges” by Joanna Pettit.
Solo show at Gage Gallery Arts Collective
September 29 - October 18, 2020
http://www.artopenings.ca/joanna-pettit.html
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
PREVIEW: http://www.artopenings.ca/bury-the-hatchet.html
GARVIES was essentially, up until a few weeks ago, the pipe-dream of a musically untrained illegal immigrant surfer poet from 17 000 km away, turned reality here on the west coast of Vancouver Island. He was playing bass in a rock band call...
Samantha Dickie presents
A Moment in Time
September 10 - October 31, 2021
Victoria Arts Council Gallery, 1800 Store Street,
Victoria. BC. V8T 4R4
Hours: Wednesday - Sunday, 12:00-5:00
Artist Talk: Sunday, October 17 @ 3PM, VAC Gall...
http://www.artopenings.ca/yahgulanaas.html
Summary:
Over the past two decades, his artworks have toured the world in solo shows, and been collected by major international museums and galleries.
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.