The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
For the second year in a row in downtown Kingston, Spring Reverb brought a whirlwind of kinetic energy from June 1 to 4, ringing in the new month with music, mayhem and magic with its 2023 edition. We sent photographer Virginia Meeks to capture it all, an
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Scatterheart w/ Bike and Los Furios @ The Commodore Saturday March 27 2010
Love: A deep, tender, ineffable feeling of affection and solicitude toward another, such as that arising from kinship, recognition of attractive qualities, or a s...
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Review of Ensemble Laude's Winter concert, 2014.
Top-notch performances from all five bands at the Rickshaw Theatre for the final BC round of Wacken Metal Battle 2015 on Friday. The winners of Vancouver’s first four qualifying rounds (Bushwhacker, Unbeheld, Medevil, and Resurgence) performed along wit
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio