The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Over 19 guitars and plenty of other musical equipment has been stolen from a number of Vancouver punk bands.
“They used a crowbar and pushed through to force the door open,” said Billy Bones of Vicious Cycles, one of the bands who practiced in Gour
The Art Gallery of Greater Victoria welcomes Nuu-chah-nulth artists to Family Sunday; a buoyant community day with hands-on activities for learning about art, place and home.
The Castaways host a Benefit Concert to raise money for the Grant Road Manor fire victims. It was a great success, they raised close to $800.00.
Saturday November 15th 2008
What was supposed to be a review of one show has been altered by restless feet and a desire to see a couple of shows if possible in one night. Canucklehead punk veterans SNFU pinned the audience to the mat at...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio