Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Corbin Murdoch and the Nautical Miles
Wartime Love Song
Steeped in sweet melancholy and lyrical charm, Wartime Love Song, the second album by Corbin Murdoch and the Nautical Miles, enchants its listeners with an extended-concept love so...
Metal Blade Records
Bison is the most hyped band in Vancouver right now. Sometimes hype can be a tough thing to deal with, but these fuckers keep coming through every time. Every show is better than the next, so every album is obviously ...
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
The Japandroids are a two piece guitar wailing, drum pounding, singing machine, (do droids get angry when you call them machines?) and ‘Lullaby Death Jams’ is their recipe for a good time. It’s made up of five interestingly good track...
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...