Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
Cattle Decapitation/Fetal Butchery/Sinned @ Metro Hall April 3rd
Though I missed opener Sinned, Fetal Butchery from Surrey, not to be confused with the U.S band of the same name, put on an energetic and honest show. They are a band just...
Pub 340 - June 5th, 2008
MUSIC WASTE 2008:
The B-Lines / Dead Ghosts / Get Well Bomb / The TVees
Pub 340 - June 5th, 2008
Dave Bertrand
For the first time in many moons, I really made the effort to make it out on time for the openi...
JUNO Award-winning band, Kobo Town makes a return to Kingston
The Cobalt
Feb 29th, 2008
If Vancouver were a jungle and we were all chimps, Todd Serious and Chris Rebel would have their own separate little bands. Chris’ pack would be more violent and smaller, and would conduct raids into Todd’s...
The Spitfires, Battle Snakes & The Jolts @ The Media Club June 19th
By: Denis Maile
On this night of rock n roll The Jolts opened the show because their bassist was busy eating poutine. To make up for this The Jolts had not 1, but 3 dif...
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
The Glim Project / Incura / Stand Down / Hezzakya
Stand Down C.D. Release Party
The Penthouse, Fri. May 9th
Edward Dinsley
I hate being the reviewer who turns up late to a show and all but misses the opening act. Unfortunately, I was...
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio