Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre
When the band hit the stage I had to catch my breath. The resemblance between Pete Bowman and Jim Morrison is rather scary. It isn’t only visual, but vocal! You could really believe you were at a Doors gig. Bowman is a rare performer, he ...
The Glim Project / Incura / Stand Down / Hezzakya
Stand Down C.D. Release Party
The Penthouse, Fri. May 9th
Edward Dinsley
I hate being the reviewer who turns up late to a show and all but misses the opening act. Unfortunately, I was...
Country star brings his Campfire Troubadour Tour to the Isabel on November 16.
CD REVIEW
The Bicycles’ Oh No, It’s Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, It’s Love is filled to the rim with h...
Music Waste 2008
Jesus fucking CHRIST!!! This city is a veritable loot-bag of musical talent, and it becomes more apparent to me every time I get my ass out to see some live music that there's much more going on under my nose than I thou...
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Interested in getting into film photography? Here's a helpful guide to awesome resources in Victoria, BC
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio