Ira Hoffecker presents Transitions at Fortune Gallery
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
My great grandmother was a school teacher. She raised five children in small town Alberta. When she reached the point of near exhaustion, she would grab a book and a blanket. Then she’d tell her husband she needed a break and she’d disa...
Review by Debora Alanna:
Pj Kelly's current show, 'Frontier' @Polychrome Fine Arts gallery - Victoria BC
GARVIES was essentially, up until a few weeks ago, the pipe-dream of a musically untrained illegal immigrant surfer poet from 17 000 km away, turned reality here on the west coast of Vancouver Island. He was playing bass in a rock band call...
The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
These are direct quotes from reviews of performances done by Susan Rankin most of which were in the last century.
Review of “Oscillatio” exhibit by Sarah Cowan and Connie Michele Morey at xChanges gallery.