Lovers of art and poetry will converge at two creative events in April in celebration of Poetry Month. These ekphrastic events – ekphrastic meaning a conversation between two pieces of art – will take place at the Art Gallery of Greater Victoria and t
Joey Chaos and The Ghosts have released their new single, “Fear.” The first in a series of recordings to be released in the coming months, the song is gritty and compelling. A mixture of 90s rock n’ roll and 80s new wave, their brand ...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
A time capsule of early nineties Hip.
Hush Hush Noise - Band Of The Month
"I remember one of the last times he saw me, he said, 'Please make sure everybody hears this music.'" Promise kept.
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
Cambridge has been prominent in the Vancouver punk scene since late 2005. Tour is nothing new to them; this is their second cross-Canada run. The first one went quite well up until a breakdown in Brandon, Manitoba caused them to miss some s...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Victoria hip-hop artist Orrie Falesau, known also by his stage name Orilla, has died. he was 30 years old. According to a GoFundMe page setup to support his partner and family, Falesau died in his sleep.
Born in the South Pacific island nation of Tuvalu,
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr