Our three-part look back on a year's worth of new music by Kingston-based artists concludes as Pete and Riley share their love for 2020 releases from Deux Trois and The Wilderness.
Hosts:
Riley Jabour
Pete Sanfilippo
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In the ever-changing world of indie-rock, be it Vancouver or elsewhere, it’s a respectable feat to maintain a working band for ten years…and the Buttless Chaps have been doing just that, with no signs of wearing out or slowing down. Cor...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Cattle Decapitation/Fetal Butchery/Sinned @ Metro Hall April 3rd
Though I missed opener Sinned, Fetal Butchery from Surrey, not to be confused with the U.S band of the same name, put on an energetic and honest show. They are a band just...
The Spitfires, Battle Snakes & The Jolts @ The Media Club June 19th
By: Denis Maile
On this night of rock n roll The Jolts opened the show because their bassist was busy eating poutine. To make up for this The Jolts had not 1, but 3 dif...
Kingston's The Tragically Hip will be presented with the 2021 Humanitarian Award during the 50th annual JUNO Awards broadcast on Sunday, June 6, 2021.
Find someone who thinks tapes aren’t cool and I’ll shove my Sony Walkman up his bum. Tapes are still rad and this Anion tape is no different. It’s red in colour and resembling the Teenage Mutant Ninja Turtles soundtrack cassette tape ...
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
Launch Pad is pleased to introduce our 2017 - 2018 "A Kingdom for a Stage" Season
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio