Local artist Bonnie Schnitter has worked in watercolor for over 35 years until she found her passion for acrylic. Bonnie is our featured artist for this month's new exhibition 'Abstrac'
For any of you fiends who've been dwelling inside rocket-proof domes until recently, the China Creeps -who are Neil on bass, Baxter on guitar, Matt on vocals and Dave on drums - are one of the leading (of what is becoming a tradition of) gr...
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Lowest of the Low headline this fundraising concert, September 3 at The Creekside just north of Kingston.
June 19th we set out on a mission to interview Hank III at his sold out show at The Venue, Vancouver BC. We managed to get a hold of him after the show where we went back to his bus for the interview. My tape recorder wasn’t working and S...
Putting the Needle to the Groove
- the easy way to put out a 7” record
An interview with Vinyl Record Guru
by Tanya Harding
You might have been wondering how and where to get your 7" done. We started investigating this for The Sk...
Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
1. Hi John. First off, can you introduce yourself, your band and dancers?
You can call me John - I play a big Gretsch guitar and do the main vocals - I also do most of the songwriting. The band really began when sCare-oline (upright...
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr