Critical comments by various curators and interviewers of artist Brandy Saturley
Scatterheart w/ Bike and Los Furios @ The Commodore Saturday March 27 2010
Love: A deep, tender, ineffable feeling of affection and solicitude toward another, such as that arising from kinship, recognition of attractive qualities, or a s...
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
CD Review for Still Blue
Mr. Johnson jumped into view as a nominee for Guitarist of the Year in 2006. This Victoria-based bluesman jammed onstage after the Awards Show and left behind a couple of impressive CDs. This new one is even...
LINDEN SINGERS OF VICTORIA SET TO FLOURISH WITH NEW MUSIC DIRECTOR, EDETTE GAGNE
A visionary leader for this choral gem!
[Victoria, BC, August 15, 2021]
Edette Gagné has been named Music Director of Linden
Singers of Victoria, taking...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
Review of No Liars first show on June 7th 2015 from Tyson Edler of YYJ Rocktographers
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio