With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Metal Blade Records
Bison is the most hyped band in Vancouver right now. Sometimes hype can be a tough thing to deal with, but these fuckers keep coming through every time. Every show is better than the next, so every album is obviously ...
Corbin Murdoch and the Nautical Miles
Wartime Love Song
Steeped in sweet melancholy and lyrical charm, Wartime Love Song, the second album by Corbin Murdoch and the Nautical Miles, enchants its listeners with an extended-concept love so...
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
The Japandroids are a two piece guitar wailing, drum pounding, singing machine, (do droids get angry when you call them machines?) and ‘Lullaby Death Jams’ is their recipe for a good time. It’s made up of five interestingly good track...
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...