Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
The Bronx/ A Textbook Tragedy/ Battle Snakes @ Richard’s on Richards
April 1st 09
By: Denis Maile
My night began with me trying to scalp my ticket out front of Richard’s. I had only just found out that day that I would be on the g...
The Sweatshop, June 22nd
I walked into the dimly-lit Sweatshop to catch the tail end of System Shit’s wonderfully sloppy set. Who would have thought that a punk gig would start at 7pm? Fear of Tomorrow hit the stage and began to sonica...
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
w/ The Tranzmitors / Master Apes / Los Tycoons
The Biltmore Cabaret
July 11th, 2008
Mmmm! The Biltmore, with its refurbished red booths, red lights, cavernous mystery – once the most depressing waste of space in Mt. Pleasant, it is...
Music Waste 2008
Jesus fucking CHRIST!!! This city is a veritable loot-bag of musical talent, and it becomes more apparent to me every time I get my ass out to see some live music that there's much more going on under my nose than I thou...
Cattle Decapitation/Fetal Butchery/Sinned @ Metro Hall April 3rd
Though I missed opener Sinned, Fetal Butchery from Surrey, not to be confused with the U.S band of the same name, put on an energetic and honest show. They are a band just...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,