Perhaps more so than any other artist of his generation, Beck is a master of mutation, reinventing himself with each tour and album. Recent Beck tours have featured lavish, gimmicky stage shows, including life-size marionettes and kitchen t...
Blue Oyster Cult appeared at the PNE years back and gifted their audience with a towering fury of ten guitars driving their howling classic,”Godzilla”. The overpowering glory of their stringed abundance ground itself into the memory of...
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Zoubi Arros heads up Zoubi And The Sea, which balances folk, funk, jazz, and pop, along with a healthy dose of sexy during their incredible cover of Queens of the Stone Age’s Make It Wit Chu.
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
Scatterheart w/ Bike and Los Furios @ The Commodore Saturday March 27 2010
Love: A deep, tender, ineffable feeling of affection and solicitude toward another, such as that arising from kinship, recognition of attractive qualities, or a s...
Review of Ensemble Laude's Winter concert, 2014.
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio