With the Christmas and New Year festivities well and truly over it’s time to shake off the January blues and for our first gig of the year we are once again heading off to The Underworld in Camden. On tonight’s bill there are death metal acts from thr
I entered Pat's Pub on Friday March 12th in the year of our lord 2010 to experience Motorama for the first time. There were three bands in the evening and Motorama opened. When I say opened, I mean OPENED. This power trio of punk dug int...
The Pack AD / Cadaver Dogs / The TVees / Valerie Graham
ANZA Club
June 20th, 2008
Dave Bertrand
So we swagger in with our free stamps and I'm feelin' good – old friends in the house, old friends at the bar, fist of beer; I enjoy the...
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Nomeansno at the Royale Banquet Hall
April 3rd By Allan MacInnis
Tom Holliston of Nomeansno is a baseball fan, so it was fortunate for him that the band’s recent Japanese tour - only their second in their 30 year history - took plac...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
JUNO Award-winning band, Kobo Town makes a return to Kingston
IGNITE X
Toast Of The Town at The Wise Hall
May 20th 2009
Tonight The Wise Hall looks like something out of an Elvis Presley movie: the young crowd in fancy dress appropriate to 50’s dancehall goers, as the best youth talent Vancouve...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
ANZA Club - Sat.May.24th
I was in a bit of a funk as I made my way down to the ANZA club, already half-cut and looking to have my shit saved by some good ‘ol rock and roll. And with tonight’s amazing lineup, I was sure to have the ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio