Cambridge has been prominent in the Vancouver punk scene since late 2005. Tour is nothing new to them; this is their second cross-Canada run. The first one went quite well up until a breakdown in Brandon, Manitoba caused them to miss some s...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Deb Rhymer has worn numerous hats over the years, from Bette Midler impersonator to daycare operator. But the one that fits her best is blues booster.
Rhymer, a Victoria native, spends almost all her waking hours dedicated to blues, eith...
1. Hi John. First off, can you introduce yourself, your band and dancers?
You can call me John - I play a big Gretsch guitar and do the main vocals - I also do most of the songwriting. The band really began when sCare-oline (upright...
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Victoria locals Jon and Roy have released a new album entitled Let It Go, which is a subtle departure from their previous and wildly successful album Homes. I spoke with Roy Vizer (drums/percussion) about the new album, the road, and what life at home in
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
Merchandise sales are essential for touring artists, and a new program will give them a bigger slice of the pie.
I'm a white rocker, born of Abbotsford. All through high school I associated rap music with delinquents farting bass out of Honda Civics and punching people. But time passed, and at SXSW in Austin this past March, I stumble upon the Canadia...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr