Ira Hoffecker presents Transitions at Fortune Gallery
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
Jo-Anne Silverman at Gage Gallery, 19 Bastion Square
NEW LOCATION - 19 Bastion Square
July 20 - August 8, 2021
http://www.artopenings.ca/joanne-silverman-21.html
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
Preview:
http://www.artopenings.ca/kaiser--faunt.html
Preview:
http://www.artopenings.ca/mary-molcan.html
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
Preview:
https://www.focusonvictoria.ca/palette/173/
On a laconic Friday afternoon, Absolute Underground gathered to quiz an icon - Phillip H. Anselmo. He is one of the few stars who have remained 'underground' while courting success with top-sellers Pantera and Down. Through smaller projects such as Superj
Guests at the Farquhar Auditorium are in for a special experience on September 18. Tanya Tagaq, Inuk throat-singer, composer, actor, author and activist, opens the venue’s fall season. Tagaq performs qiqsaaqtuq, with the Victoria Symphony, and sivuniti
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.