Articles
The articles system connects profiles in our system to articles written about them, and vice versa. It provides a cultural record of what people are saying about artists, organizations and places in our community, and helps give credit to the articles' creators
Articles - Podcasts
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Articles - Podcasts
Syrian poet and visual artist at Errant Art Space August 12-28, 2022
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Old Man Markley: “We’re punk rockers playing bluegrass!"
On July 2nd I had the pleasure to interview Old Man Markley on tour with NOFX, & Teenage Bottle Rocket. With their hard work ethics they deserve every opportunity that comes their way. With their high-energy stage presence they give you a t...
Pj Kelly ~ 'Frontier' : Review by Debora Alanna
Review by Debora Alanna:
Pj Kelly's current show, 'Frontier' @Polychrome Fine Arts gallery - Victoria BC
The Final Show Vonnegut Dollhouse
Thursday, November 13 at Honey Lounge
The crystal chandeliers and velvet couches of Honey Lounge are the perfect backdrop for an eclectic band like Vonnegut Dollhouse. Formed two years ago by keyboardist James Ford and vocalist/guitar...
Yvonne Blomer: the City's Poet
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Thee Manipulators
Thee Manipulators
The morning after I first saw local 5 piece garage rock band Thee
Manipulators I woke up with two maracas in my bed and a lot more pins
on my jacket. Strangely, I had acquired a pin of an intoxicated/hungry looking fe...
Absolute Underground #85 - XXX-MAS Issue!
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
IN SEARCH OF THE SOURCE OF THE TALE: AN INTERVIEW WITH TUOMAS HOLOPAINEN OF NIGHTWISH
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
