Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.
When the band hit the stage I had to catch my breath. The resemblance between Pete Bowman and Jim Morrison is rather scary. It isn’t only visual, but vocal! You could really believe you were at a Doors gig. Bowman is a rare performer, he ...
Our three-part look back on a year's worth of new music by Kingston-based artists concludes as Pete and Riley share their love for 2020 releases from Deux Trois and The Wilderness.
Hosts:
Riley Jabour
Pete Sanfilippo
...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
The Sons up for Group of the Year at the 2021 JUNO Awards