Articles
The articles system connects profiles in our system to articles written about them, and vice versa. It provides a cultural record of what people are saying about artists, organizations and places in our community, and helps give credit to the articles' creators
Articles - Podcasts
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Articles - Podcasts
Bats in The Broom Factory: Bat Sabbath show review
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
16 years in, The Strumbellas keep on believing
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
Review: Canadian Guitarist West Coast Comerford happy to play blues
A story on west coast Canadian blues guitar man, West Coast Comerford. Comerford has played in many blues bands out of Victoria, including the Rockin' Devils, All Them Blues Band and Uncle Wiggly's Hot Shoes Blues Band. The piece was published on Digita
Jonathan Richman
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
A passing of the torch for Victoria's rock music history archives
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
Avis Rasmussen: The View from Here
Avis Rasmussen’s fascinating life as a visual artist comes into focus in The View From Here. The Victoria Arts Council (VAC) has collected over 100 artworks that chronicle her incredible journey, spanning over 60 years. The retrospective begins with an
Courage and Compassion: B.C. Healthcare Heroes
B.C. Healthcare Heroes: Their Stories and Portraits
One Week Only at the Gage Gallery (Feb. 15-20)
Twenty portraits and twenty stories. The exhibition “B.C.’s Healthcare Heroes” showcases healthcare workers’ stories and portraits in British
IN SEARCH OF THE SOURCE OF THE TALE: AN INTERVIEW WITH TUOMAS HOLOPAINEN OF NIGHTWISH
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
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