A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
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Preview: http://www.artopenings.ca/fired-up-2022.html
Martina Edmondson presents
“Loss” at the Gage Gallery
Retired music teacher played in 1970s rock band Troyka
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
Preview:
http://www.artopenings.ca/mary-molcan.html
Preview:
http://www.artopenings.ca/denise-tierney.html
Denise Tierney at the Chapel Gallery May 6-15.
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.