Acclaimed Delta blues disciple and storyteller extraordinaire plays The Cove Inn, November 14.
Grand OnStage presents a trailblazing musical response to the Truth & Reconciliation Committee’s 94 Calls To Action, January 23 at Kingston Grand Theatre
Interview with Dope Soda was done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where do you guys meet? When did you decide to form the band?
Dope Soda: Well Dope Soda was a project I have been wanting to do for a v...
For the second year in a row in downtown Kingston, Spring Reverb brought a whirlwind of kinetic energy from June 1 to 4, ringing in the new month with music, mayhem and magic with its 2023 edition. We sent photographer Virginia Meeks to capture it all, an
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...
Illustrator Val Lawton is interviewed by Calgary Public Library regarding her illustration career and the impact of the library
From Feb 26th to Mar 21st Bison BC toured Europe. They hit eleven different countries in twenty-four days and played a show every night. I’ve heard somewhere that Europeans love metal so I’m sure it was a crazy good time, and did great ...
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
Sharon Jones and the Dap-Kings release new record, "Give the People What They Want". The release date was scheduled for the passed summer, but was pushed later due to the diagnoses of Sharon Jones's Stage II pancreatic cancer. After undergoing treatment,
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr