Gage Gallery Artists Collective
is MOVING to
19 Bastion Square, Victoria, BC. V8W 1H9
Gallery re-opens on June 29, 2021.
Laura Feeleus and Elizabeth Carefoot present Vivid Connections, June 29 - July 18, 2021.
See interviews with ...
On April 1, 2022, Pope Francis apologized to First Nations, Inuit and Métis gathered at the Vatican in Rome.
This exuberant artist brings a life-like presence to luminaries he finds interesting. “I wonder who these people are,” he asks, “how they lived their lives and chose to express themselves.”
http://www.artopenings.ca/dale-roberts.html
GARVIES was essentially, up until a few weeks ago, the pipe-dream of a musically untrained illegal immigrant surfer poet from 17 000 km away, turned reality here on the west coast of Vancouver Island. He was playing bass in a rock band call...
Gillian Redwood continues her experimental dance with universal energies in The Triumph of Light. This new series of expansive acrylic paintings illuminate Xchanges Gallery April 3-18. Zoom Artist Talk and Tour of the Exhibit:
Saturday, April 10th at 3:3
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Solo Show at Gage Gallery Aug 28 - Sept 8 2018
Opening Wed Aug 29 5-7pm.
Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Chrystal Phan is a story teller. The tales she tells in her debut solo exhibition are monumental and multi-hued. They feature stories she’s heard from family and friends, embellished by her own imagination. All her paintings document some aspect of the
http://www.artopenings.ca/sandra-froher.html
The Apology follows the story of three women who were taken into sexual slavery during the Japanese Invasion throughout Asia in WWII by the Imperial Army
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.