Over 19 guitars and plenty of other musical equipment has been stolen from a number of Vancouver punk bands.
“They used a crowbar and pushed through to force the door open,” said Billy Bones of Vicious Cycles, one of the bands who practiced in Gour
INTERVIEW
Wantmonster are straight off the hard streets of Nelson B.C. Ok, the streets there aren’t very hard, unless you’re afraid of hippies with giant dreads that look like matted down stinky beaver tails, and who isn’t? Wantmon...
The Red Hot Lovers had their cd release party and last show ever on the same night. Talk about rock stars. I would be worried about doing that based on the fact that you might end up with a box of cds in your closet. Hopefully this doesn’...
“Fucking Amazing,” says drummer Joshua Wells about Black Mountain’s current North American tour. “This is the best tour I’ve ever been on. It’s been unbelievable at times! We’ve played a few places we’ve never been before…...
Like multiplying spring bulbs, the number of artists taking part in ArtSea’s Spring Studio tour has almost doubled over last year’s tour. Thirty artists will open their studio doors to the public on June 8 and 9, from 10 a.m. to 4 p.m....
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...
Skeleton Park Arts Festival, in its 18th year, runs June 21-25, 2023
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio