Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
Find someone who thinks tapes aren’t cool and I’ll shove my Sony Walkman up his bum. Tapes are still rad and this Anion tape is no different. It’s red in colour and resembling the Teenage Mutant Ninja Turtles soundtrack cassette tape ...
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...
A review of Everybody Left's Season One (2009 - 13) compilation album.
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...