A review of Everybody Left's Season One (2009 - 13) compilation album.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993’s platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
The Stolen Organ Family Band
Horse Treats (Indie)
It pays to have an open mind in this business of writing about music and putting it to press, especi...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...